Nordic Exposures

Scandinavian Identities in Classical Hollywood Cinema

Autor: Arne Olav Lunde

Jazyk:

Väzba: Brožovaná

Vydavateľ: University of Washington Press

Dostupnosť: Skladom u dodávateľa v malom množstve

Odosielame za 11-15 dní

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Nordic Exposures explores how Scandinavian whiteness and ethnicity functioned in classical Hollywood...

Informácie o knihe

Autor

Arne Olav Lunde

Jazyk

Angličtina

Väzba

Kniha - Brožovaná

Vydalo

2010

Stránok

224

EAN

9780295990453

ISBN

0295990457

Enbook ID

04874910

Vydavateľ

University of Washington Press

Hmotnosť

354

Rozmery

152 x 228 x 14

Kompletný popis

Nordic Exposures explores how Scandinavian whiteness and ethnicity functioned in classical Hollywood cinema between and during the two world wars. Scandinavian identities could seem mutable and constructed at moments, while at other times they were deployed as representatives of an essential, biological and natural category. As Northern European Protestants, Scandinavian immigrants and emigres assimilated into the mainstream rights and benefits of white American identity with comparatively few barriers or obstacles. Yet Arne Lunde demonstrates that far from simply manifesting a normative unmarked whiteness, Scandinavianness in mass-immigration America and in Hollywood cinema of the twentieth century could be hyperwhite, provisionally off-white, or not even white at all. Lunde investigates key silent films, such as Technicolor's The Viking (1928), Victor Sjostrom's He Who Gets Slapped (1924), and Mauritz Stiller's Hotel Imperial (1927). The crises of Scandinavian foreign voice and the talkie revolution are explored in Greta Garbo's first sound film, Anna Christie (1930). The author also examines Warner Oland's long career of Asian racial masquerade (most famously as Chinese detective Charlie Chan), as well as Hollywood's and Third Reich Cinema's war over assimilating the Nordic female star in the personae of Garbo, Sonja Henie, Ingrid Bergman, Kristina Soderbaum, and Zarah Leander.

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Nordic Exposures

Scandinavian Identities in Classical Hollywood Cinema

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