Kniha Moonraker FLEMING IAN

Moonraker

Autor: FLEMING IAN
Jazyk: Angličtina
Väzba: Brožovaná
Vydavateľ: HarperCollins
Dostupnosť: Skladom u dodávateľa
Odosielame za 3-6 dní
15.75
Ian Lancaster Fleming was a British writer, best known for his postwar James Bond series of spy nove...

Informácie o knihe

Autor
Jazyk
Angličtina
Väzba
Kniha - Brožovaná
Vydalo
2023
Stránok
272
EAN
9780063298606
ISBN
0063298600
Enbook ID
41410010
Vydavateľ
Hmotnosť
242
Rozmery
135 x 203

Kompletný popis

Ian Lancaster Fleming was a British writer, best known for his postwar James Bond series of spy novels. Fleming came from a wealthy family connected to the merchant bank Robert Fleming & Co., and his father was the Member of Parliament (MP) for Henley from 1910 until his death on the Western Front in 1917. Educated at Eton, Sandhurst, and, briefly, the universities of Munich and Geneva, Fleming moved through several jobs before he started writing. While working for Britain's Naval Intelligence Division during the Second World War, Fleming was involved in planning Operation Goldeneye and in the planning and oversight of two intelligence units: 30 Assault Unit and T-Force. He drew from his wartime service and his career as a journalist for much of the background, detail, and depth of his James Bond novels. Fleming wrote his first Bond novel, Casino Royale, in 1952. It was a success, and three print runs were commissioned to meet the demand. Eleven Bond novels and two collections of short stories followed between 1953 and 1966. The novels centre around James Bond, an officer in the Secret Intelligence Service, commonly known as MI6. Bond is also known by his code number, 007, and was a commander in the Royal Naval Volunteer Reserve. The Bond stories rank among the best-selling series of fictional books of all time, having sold over 100 million copies worldwide. Fleming also wrote the children's story Chitty-Chitty-Bang-Bang and two works of non-fiction. In 2008, The Times ranked Fleming 14th on its list of "The 50 greatest British writers since 1945". Fleming was married to Ann Charteris. She had divorced her husband, the 2nd Viscount Rothermere, because of her affair with the author. Fleming and Charteris had a son, Caspar. Fleming was a heavy smoker and drinker for most of his life and succumbed to heart disease in 1964 at the age of 56. Two of his James Bond books were published posthumously; other writers have since produced Bond novels. Fleming's creation has appeared in film twenty-seven times, portrayed by seven actors. Fleming's first work of non-fiction, The Diamond Smugglers, was published in 1957 and was partly based on background research for his fourth Bond novel, Diamonds Are Forever. Much of the material had appeared in The Sunday Times and was based on Fleming's interviews with John Collard, a member of the International Diamond Security Organisation who had previously worked in MI5. The book received mixed reviews in the UK and US. For the first five books (Casino Royale, Live and Let Die, Moonraker, Diamonds Are Forever and From Russia, with Love) Fleming received broadly positive reviews. That began to change in March 1958 when Bernard Bergonzi, in the journal Twentieth Century, attacked Fleming's work as containing "a strongly marked streak of voyeurism and sado-masochism" and wrote that the books showed "the total lack of any ethical frame of reference". The article compared Fleming unfavourably with John Buchan and Raymond Chandler on both moral and literary criteria. A month later, Dr. No was published, and Fleming received harsh criticism from reviewers who, in the words of Ben Macintyre, "rounded on Fleming, almost as a pack". The most strongly worded of the critiques came from Paul Johnson of the New Statesman, who, in his review "Sex, Snobbery and Sadism", called the novel "without doubt, the nastiest book I have ever read". Johnson went on to say that "by the time I was a third of the way through, I had to suppress a strong impulse to throw the thing away". Johnson recognised that in Bond there "was a social phenomenon of some importance", but this was seen as a negative element, as the phenomenon concerned "three basic ingredients in Dr No, all unhealthy, all thoroughly English: the sadism of a schoolboy bully, the mechanical, two-dimensional sex-longings of a frustrated adolescent, and the crude, snob-cravings of a suburban adult." Johnson saw no positives in Dr. No, and said, "Mr Fleming has no lit

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