Disruptive Acts

The New Woman in Fin-de-Siecle France

Autor: Mary Louise Roberts

Jazyk:

Väzba: Pevná

Vydavateľ: The University of Chicago Press

Dostupnosť: Skladom u dodávateľa v malom množstve

Odosielame za 13-18 dní

103.62 €

In fin-de-siecle France, politics were in an uproar, and gender roles blurred as never before. Into...

Informácie o knihe

Autor

Mary Louise Roberts

Jazyk

Angličtina

Väzba

Kniha - Pevná

Vydalo

2003

Stránok

304

EAN

9780226721248

ISBN

0226721248

Enbook ID

04548810

Vydavateľ

The University of Chicago Press

Hmotnosť

642

Rozmery

159 x 233 x 26

Kompletný popis

In fin-de-siecle France, politics were in an uproar, and gender roles blurred as never before. Into this maelstrom stepped the "new women", a group of primarily urban middle-class French women who became the objects of intense public scrutiny. Some remained single, some entered nontraditional marriages, and some took up the professions of medicine and law, journalism and teaching. All of them challenged traditional notions of womanhood by living unconventional lives and doing supposedly "masculine" work outside the home. Mary Louise Roberts examines a constellation of these famous new women active in journalism and the theatre, including Marguerite Durand, founder of the women's newspaper "La Fronde"; the journalists Severine and Gyp; and the actress Sarah Bernhardt. Roberts demonstrates how the tolerance for playacting in both these arenas allowed new women to stage acts that profoundly disrupted accepted gender roles. The existence of "La Fronde" itself was such an act, because it demonstrated that women could write just as well about the same subjects as men - even about the volatile Dreyfus Affair. When female reporters for "La Fronde" put on disguises to get a scoop or wrote under a pseudonym, and when actresses played men on stage, they demonstrated that gender identities were not fixed or natural, but inherently unstable. Thanks to the adventures of new women like these, conventional domestic femininity was exposed as a choice, not a destiny. Lively, sophisticated and persuasive, "Disruptive Acts" should be a major work not just for historians, but also for scholars of cultural studies, gender studies and the theatre.

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Disruptive Acts

The New Woman in Fin-de-Siecle France

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