Kniha Disorientation HSIEH CHOU ELAINE

Disorientation

Jazyk: Angličtina
Väzba: Brožovaná
Vydavateľ: PENGUIN GROUP
Dostupnosť: Skladom u dodávateľa
Odosielame za 9-15 dní
13.06
A NEW YORK TIMES EDITORS CHOICE SELECTION * A MALALA BOOK CLUB PICK * AN INDIE NEXT PICK * A FAVORI...

Informácie o knihe

Jazyk
Angličtina
Väzba
Kniha - Brožovaná
Vydalo
2023
Stránok
416
EAN
9780593298374
ISBN
0593298373
Enbook ID
42422970
Vydavateľ
Hmotnosť
349
Rozmery
140 x 214 x 21

Kompletný popis

A NEW YORK TIMES EDITORS CHOICE SELECTION * A MALALA BOOK CLUB PICK * AN INDIE NEXT PICK * A FAVORITE BOOK OF 2022 BY NPR AND BOOK RIOT * A MUST-READ MARCH 2022 BOOK BY TIME, VANITY FAIR, EW AND THE CHICAGO REVIEW OF BOOKS * A MOST ANTICIPATED BOOK OF 2022 BY GOODREADS, NYLON, BUZZFEED AND MORE

A Taiwanese American woman s coming-of-consciousness ignites eye-opening revelations and chaos on a college campus in this outrageously hilarious and startlingly tender debut novel.


Twenty-nine-year-old PhD student Ingrid Yang is desperate to finish her dissertation on the late canonical poet Xiao-Wen Chou and never read about Chinese-y things again. But after years of grueling research, all she has to show for her efforts are a junk food addiction and stomach pain. When she accidentally stumbles upon a curious note in the Chou archives one afternoon, it looks like her ticket out of academic hell.
 
But Ingrid s in much deeper than she thinks. Her clumsy exploits to unravel the note s message lead to an explosive discovery, upending her entire life and the lives of those around her. What follows is a roller coaster of mishaps and misadventures, from book burnings and OTC drug hallucinations, to hot-button protests and Yellow Peril 2.0 propaganda. As the events Ingrid instigated keep spiraling, she ll have to confront her sticky relationship to white men and white institutions and, most of all, herself.
 
A blistering send-up of privilege and power, and a profound reckoning of individual complicity and unspoken rage, in Disorientation Elaine Hsieh Chou asks who gets to tell our stories and how the story changes when we finally tell it ourselves.

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