Creative License

The Law and Culture of Digital Sampling

Autor: Kembrew McLeod, Peter DiCola

Jazyk:

Väzba: Pevná

Vydavateľ: Duke University Press

Dostupnosť: 50 % šanca

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How did the Depression-era folk-song collector Alan Lomax end up with a song-writing credit on Jay-Z...

Informácie o knihe

Autor

Kembrew McLeod, Peter DiCola

Jazyk

Angličtina

Väzba

Kniha - Pevná

Vydalo

2011

Stránok

336

EAN

9780822348641

ISBN

0822348640

Enbook ID

04939271

Vydavateľ

Duke University Press

Hmotnosť

581

Rozmery

182 x 213 x 27

Kompletný popis

How did the Depression-era folk-song collector Alan Lomax end up with a song-writing credit on Jay-Z's song "Takeover"? Why doesn't Clyde Stubblefield, the primary drummer on James Brown recordings from the late 1960s, including "Funky Drummer" and "Cold Sweat," get paid for other musicians' frequent use of the beats he performed on those songs? The music industry's approach to digital samplingoincorporating snippets of existing recordings into new onesoholds the answers. Exploring the complexities and contradictions in how samples are licensed, Kembrew McLeod and Peter DiCola interviewed more than 100 musicians, managers, lawyers, industry professionals, journalists, and scholars. Based on those interviews, Creative License puts digital sampling into historical, cultural, and legal context. It describes hip-hop during its sample-heavy golden age in the 1980s and early 1990s; the lawsuits that shaped U.S. copyright law on sampling; and the labyrinthine licensing process that musicians must now navigate. The authors argue that the current system for licensing samples is inefficient and limits creativity. For instance, by estimating the present-day licensing fees for the Beastie Boys' Paul's Boutique (1989) and Public Enemy's Fear of a Black Planet (1990), two albums from hip-hop's golden age, the authors show that neither album would be commercially viable today. Observing that the same dynamics that create problems for re-mixers reverberate throughout all culture industries, the authors conclude by examining ideas for reform.

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Creative License

The Law and Culture of Digital Sampling

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